THE MOTHER OF ALL SCENES
Everyone’s back at 10AM with an open ended release time and nine pages of up to twelve characters to shoot. Another crack at last night’s completely changed on the spot scene would be nice. Can all this get done? Can any of it get done?
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LETS BLOCK
The Set General creates a shot list in his head and away we go. The mother of all scenes is actually something like a bit of a Mozart opera, kind of. Four characters become eight, eight becomes ten, ten becomes eleven, eleven becomes twelve. The first part ends with eleven, so LOTS of coverage needs to be shot. It happens... well, some of it does.
Team Deal brings pizza. Most all of the cast is already there, so a pic with all of them is taken. Then with the crew too.
BACK TO WORK
Part one of the mother of all scenes gets finished, time to block part two. The characters have pretty much settled into their spots so there’s not quite as much blocking, but still need LOTS of coverage.
Gotta get through the first part of the second half of the mother of all scenes first. It’s lack luster, everyone’s fried. But this is the climax! It’s gotta be great. The difference between a pretty good flick and an amazing one. Where’s the energy gonna come from? WHERE?
The ROCK ‘N ROLL MISSILE? Who’s been waiting ALL DAY for his big moment.
The Missile, along with the eye of the missile’s energy starts bringing everyone’s energy back. But it’s STILL not enough, not enough UNTIL:
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Another pow wow, will we be able to go back and reshoot the scene from last night? It’s about two in the morning and STILL have another short scene to shoot outside. The Set General has to get up early the next day, we’re already about 17 hours in.
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photos by Suzan Jones
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