One of many things that can make or break a production, especially when going at break neck speed, is work flow. How images get in and out of the camera, then into an editing program.
What really saved our butts was SD memory cards(the same ones used in digital cameras), the format of the Panasonic HMC150. A 32 & 16 gig card gave us over 6 hours worth of recording time. Thus never having to stop to down load footage, bring an extra lap top, or hard drive, which would have been the case using the P2 format.
Each night after shooting, the SD cards were plugged into an adaptor(same one used with digital cameras and cell phones) plugged into the USB port of a mac pro tower. The footage was imported, binned, and documented before being backed up on a second hard drive. The SD cards were then cleared for the next day of shooting. Made for some pretty long nights, but luckily the ingesting was able to be multi-tasked along with documenting and binning. Backing up was done over night, clearing the SD chips early the next day.
Over all this work flow ‘worked’ pretty well. There was some downloading on set the days we were using the X200 camera with P2 cards. The only downtime when actually shooting was waiting for the SD cards to be cleared when they weren’t. Easy workflow is one good reason to shoot with an HMC150.
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